June 16 – August 11, 2016
Beginning in June 2016, Lyman Allyn will host For All the World to See: Visual Culture and The Struggle for Civil Rights, a traveling exhibition on loan from NEH On the Road and the Mid America Arts Alliance. This exhibition examines the role that visual culture played in shaping and transforming the struggle for racial equality in America from the late 1940s to the mid-1970s.
Through a compelling assortment of photographs, television clips, art posters, and other historic artifacts, For All the World to See traces how images and media disseminated to the American public transformed the modern civil rights movement and jolted Americans, both black and white, out of a state of denial or complacency.
Visitors to the immersive display will explore dozens of compelling and persuasive visual images, including photographs from influential magazines, such as LIFE, JET, and EBONY; CBS news footage; and TV clips from The Ed Sullivan Show. Also included are civil rights-era objects that exemplify the range of negative and positive imagery—from Aunt Jemima syrup dispensers and 1930s produce advertisements to Jackie Robinson baseball ephemera and 1960s children’s toys with African American portraiture. For All the World to See is not a history of the civil rights movement, but rather an exploration of the vast number of potent images that influenced how Americans perceived race and the struggle for equality.
Image 1: Hue Magazine, September 1956. Jet Magazine, October 25, 1956. Jet Magazine, March 17, 1966. From the NEH on the Road exhibition For All the World to See: Visual Culture and the Struggle for Civil Rights. 2011. Photo: E. G. Shempf.
Image 2: United We Shall Overcome, bumper sticker, c. 1960s. From the NEH on the Road exhibition For All the World to See: Visual Culture and the Struggle for Civil Rights. 2011. Photo: E. G. Shempf.<,/font>
For All the World to See: Visual Culture and the Struggle for Civil Rights was curated by Dr. Maurice Berger, Research Professor, The Center for Art, Design, and Visual Culture, University of Maryland, Baltimore. It was co-organized by The Center for Art, Design, and Visual Culture and the National Museum of African-American History and Culture, Smithsonian Institution.For All the World to See has been made possible through NEH on the Road, a special initiative of the National Endowment for the Humanities (NEH). It has been adapted and is being toured by Mid-America Arts Alliance (M-AAA). Founded in 1972, Mid-America Arts Alliance is the oldest regional nonprofit arts organization in the United States. For more information, visitwww.maaa.org or www.nehontheroad.org.